Two Animated Projects are Official Selections for the 2020 FilmQuest Festival

Amazong Prunk (2020), a stop-motion animated music video for the band LYFECOACH, and Dark Ride (2019), an experimental animation about the unsettling undercurrent of fun and entertainment are official selections of the 2020 FilmQuest festival in Provo, Utah.

One of MovieMaker Magazine’s 50 Film Festivals Worth the Entry Fee in 2017 and 2015, A MovieMaker Magazine Top 30 Bloody Best Genre Fest in the World in 2018, a FilmFreeway Top 100 Best Reviewed Film Festival, FilmQuest has become a hotbed of the very best in genre filmmaking in the world, showcasing incredible talent, creating new friendships and collaborations, and proving to be a must-stop destination for filmmakers.

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3 KEYS WINS TWO AWARDS AT SHORTZ! FILM FESTIVAL

(Chico, CA, August 12th 2018) Director and Animator Josh Funk’s short film 3 Keys has won 2nd Place: Judges Choice and Best Animation: Audience Choice at this year’s Shortz! Film Festival in Chico, CA.

3 KEYS is a fantasy/thriller set in the world of one woman's nightmares. In the office of a psychiatrist (Robert Donnelly), a patient (Brigette Funk) explains her reoccurring nightmares that always begin with a mysterious door and three different skeleton keys that unlock it. Accompanied by stop-motion puppets, marionettes, and miniatures, each nightmare is packed with practical effects.

Scary tale : Local animator’s new short film is the stuff of nightmares

By Howard Hardee 
howardh@newsreview.com

This article was published on 04.05.18.

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Josh Funk doesn’t want to contemplatethe number of hours he spent writing, producing and animating his new short fantasy film, 3 Keys. It took four months to create the puppets, animation and practical effects for a single scene, and his most ambitious project to date consumed most of his free time over the last three years.

“Counting the hours would just drive me crazy,” he said.

The local independent stop-motion animator makes his living by freelancing promotional videos, music videos and commercials for a variety of clients, and he works on personal projects like 3 Keys on the side. The roughly 15-minute film is the follow-up to Funk’s last major stop-motion project, Spaceman(2014).

Spaceman was about this guy who builds a cardboard spaceship, goes to an alien planet and fights a monster, but there was no dialogue,” Funk said. “It was almost like a silent black-and-white film. When I was making [3 Keys], I really wanted to push myself in every aspect. I wanted it to look better and sound better and I wanted to work with new people.”

The story starts with a psychiatrist (local actor Robert Donnelly) and his patient (Funk’s sister-in-law, Brigette Funk), who has recurring nightmares. The dreams always start in a dark and spooky basement, where she finds three keys in front of a mysterious door. There’s an element of Alice in Wonderland as each key transports her to a different place.

“So, there are three different dreams I’m showing throughout the film,” Funk said, “and they all involve puppetry of some kind and sets and visual effects.”

3 Keys is set to premiere at the Museum of Northern California Art April 13 and 14. The event will include a short behind-the-scenes video, a Q&A session with Funk and the cast, and a display of puppets, miniatures and props from the film. A host of actors, artists and Chico State students (Funk teaches a course on animation) donated their time and talent to bring the project to life.

Funk has submitted 3 Keys to about 20 film festivals and contests, and it already won an Award of Excellence in FilmFreeway’s prestigious Best Shorts Competition.

The film incorporates elements of horror and suspense drawn from Funk’s own childhood fears, but it’s not at all gory, and falls comfortably into the category of a fantasy/thriller. He started writing the script in 2015, working mostly late at night while watching his sleeping newborn son, Jonah.

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“I was thinking of childhood so much, and I started thinking about how I used to be scared to death of dolls,” he said. “I saw a clip of Chucky [from Child’s Play] on Entertainment Tonight and it just traumatized me. … I still have recurring nightmares about Chucky.”

He also borrowed from fairy tales, in which doors often serve as symbolic thresholds, and repetition of the number three also bears significance. As with any fairy tale, 3 Keysconcludes with a moral. Without giving away the ending, it’ll suffice to say the protagonist’s nightmares are rooted in her waking life.

“The main character is someone who refuses to admit that they do anything wrong,” he said. “Until they can admit their own faults, they’re not getting out.”


 Keys premiere, two showings, Friday-Saturday, April 13-14, 6:30 p.m.
Tickets: $5
Museum of Northern California Art
900 Esplanade
487-7272
www.monca.org
www.joshfunk.com

Get Animated

Two local filmmakers launch animation fest

By —Esmeralda Ramirez

This article was published on 12.10.15.

Josh Funk

For artists, theater actors and musicians, Chico is a pretty wide open art town, with fun venues and an established support network in place. But for filmmakers—an arts niche that has been growing steadily locally over the past decade or so—there have been very few outlets. Other than the annual Shortz! Film Festival—which celebrated its fifth year of showcasing short films this past September—and the occasional screening at the Pageant Theatre, there are only sporadic opportunities for showing off locally made films.

This Saturday, Dec. 12, at the El Rey Theatre, Chico will take at least one more step toward building up the film scene with the debut of Animation Chico, an international animated short-film festival created by two local filmmakers, Shawn Dyer and Josh Funk.

“There are a lot of filmmakers around here and they’re all looking for a place to show their work and most of them go to either Redding or Sacramento because there’s nothing in their town to support them,” said Dyer.

The two grew up in Chico and have been friends since high school. Dyer, a co-founder of the Shortz! festival and creator of last spring’s Ha! Fest comedy film festival at the El Rey, has been making and showing his original full-length and short films for nearly a decade. Funk, on the other hand, is a relative newcomer to the scene, having moved from making music in local bands to creating his own stop-motion animated films since 2012.

“The main reason behind [Animation Chico] is actually to bring more people from other markets to Chico,” Dyer said.

The duo started accepting festival entries mid-summer, and received 71 submissions from around the world over the course of three months. They settled on 36 shorts in a variety of animation styles—traditional, computer-animated, stop-motion, even 3-D—that will be spread among four roughly one-hour blocks during the festival.

Naturally, especially for Funk, another goal of Animation Chico is to shed light on the art of animation.

“I think a lot of people don’t understand all of the different forms of animation that are out there and also don’t understand the amount of time that goes into making these,” he said.

Chico State has a large and celebrated animation program, and Funk pointed out that a lot of those students go on to work on big blockbuster movies, but many locals aren’t aware of all that talent. And though they didn’t get any entries from the university this year, the hope is that Animation Chico can be a showcase for student works in the future.

For the inaugural event, viewers can expect a wide variety of films from many different countries, Funk said, including a six-minute piece directed by French animator Gilles-Alexandre Deschaud titled “Chase Me,” which was produced using 2,500 pieces created on a 3-D printer. Other countries represented include China, Brazil, Thailand, Canada, Hungary and Israel.

“A lot of the content that we’ve received is wonderful, from perspectives other than the average American perspective and you’d be surprised what people come up with outside the U.S.,” Dyer said.

“A lot of times with animation, there are no words, which is kind of nice that it translates all over the world,” Funk added. “You can say a lot with just body movements of a character.”

For its awards, the festival is divided into three categories of animated films: student, international and stop-motion, and a $150 prize will go to the winner in each category. For the jury, Funk and Dyer brought in three artists: animator and Chico State instructor Mark Pullyblank, local graphic designer/comic artist Aye Jay Morano and animator Clayt Ratzlaff.

Also on the program (but not eligible for the competition) is the world premiere of Funk’s stop-motion music video for local band the Michelin Embers’ song “Diggin’ On,” which will be followed by a three-song performance by the band.

 

A combined effort

CHICO ENTERPRISE RECORD

POSTED: 03/27/15, 5:15 PM PDT 

The Museum of Northern California Art (monca) presented Art Connects with Technology, a current Pop-up at 215 Main Street through March 28. The Pop-up includes art from high school students, Idea Fab Lab and local artists who use some form of technology in their work. On March 14, Animator Josh Funk showed two of his animated films and described his art to an audience of over twenty people. Shown here with monca board member Claire Pelley (left), is Josh Funk (center) and visitor Arnie Rodriguez from the Bay Area.

Monster maker

Local musician Josh Funk trades in his guitar for stop-motion creatures


By Rachel Bush 

This article was published on 02.05.15.

Quitting a day job to dedicate more timeto one’s craft seems like nothing more than a dream to many artists, but for Chicoan Josh Funk, it is his new reality. Three months ago, he ditched a job selling cellphones for AT&T to focus on his art … and to play around with puppets.

The puppets are part of Funk’s latest artistic venture, stop-motion animation and filmmaking. For years, music has been Funk’s creative drug of choice. He played with Chico bands Spencer and Farewell Letter and also made a name for himself locally, releasing five CDs as a solo artist. But eventually, in 2012, the pull to create visual works beat out the need to write songs.

“I was doing solo album stuff for a while, but started phasing out. Stop-motion was something I always wanted to do. I bought an armature and worked on it every day after work.” Roughly a year and $1,500 later, he finished Wormholes, a surreal three-minute stop-motion short featuring a clay man being chased across colorfully strange dimensions by a Tim Burton-esque worm creature. The short was accepted into a couple of film festivals—in the UK and Austria—as well as Chico’s Shortz! Film Fest and last weekend’s Keep Chico Weird Talent Show. (You can now watch it on his website, www.joshfunk.com.)

And he’s just finished his second film, The Spaceman, a live-action meets stop-motion short that will premiere at the Pageant Theatre Feb. 21-22. The film features a young man who travels to an alien planet to dispose of a mysterious object, encountering a monster along the way.

Funk graduated from Chico State in 2007with a degree in electronic arts. He also does a lot of 2-D works (freelance illustration projects, graphic design and film editing are his main sources of income right now), and his website features many of his pieces, which range from trippy monster designs to illustrations for a graphic-novel collaboration with local magician Wayne Houchin. While both his electronic and arts experience translated to his film endeavors, he still needed a lot of training and practice. “I used a lot of YouTube tutorials and trial and error to figure stuff out, like special effects and compositing characters.” He also familiarized himself with the necessary design software—Aftereffects, DragonFrame animation, and Final Cut editing—to polish and finish his projects.

Inspired heavily by the works of Jim Henson and Tim Burton, Funk has difficulty pinpointing his signature aesthetic. “I’ve always tried to categorize my style as an artist, because it felt better for my brain, but it’s hard. I’m drawn to dark subject matters but keeping it fairly light and quirky.”

Dark but quirky is the perfect description of his Spaceman puppets, designed by Funk but crafted by UK puppet-maker Richard Whillock, whom Funk found via Etsy. The furry black-and-white-tentacled creatures have huge teeth and are creepy, yet cute. “Picking them up from the post office and finally seeing them was so cool. He knew exactly how I wanted them to look.”

To make The Spaceman, Funk relied heavily on borrowed equipment and support from friends and family, including his younger brother, Jordan, who stars. “I told him, ‘Pretend you’re Bruce Willis, but all the movie could afford was cardboard for sets.’”

Those cardboard sets are more impressive than they sound. Tucked away in Funk’s studio, the collection of props—some miniature and some full-size—are intricately handmade, including the spaceship that once took up the whole room.

The most alluring set is the 8-foot-tall miniature forest used for a puppet battle scene. Crafted from PVC pipes, insulated foam, fake moss and leaves, the lush landscape was funded by a Kickstarter campaign that raised $6,000 to help him finish making the film.

For the live-action portions, Funk and crew found woodsy spots to match the forested replica, including Bidwell Park, Forest Ranch and Fern Canyon outside Arcata.

With The Spaceman done, Funk looks forward to its release, and trying to get it into film festivals. He also admits that the transition to a career in art has been a good one. “What I’ve discovered is that making $100 doing something you love is so much better than making $500 doing something you hate. You just have to have faith that it’ll work out.”

On the set of his new film, The Spaceman, with Josh Funk and his monsters.

PHOTO BY BRENDEN PRICE

Screening of The Spaceman and Wormholes (followed by Q&A with director Josh Funk) Feb. 21, 1 p.m. & Feb. 22, 6 p.m., at the Pageant Theatre.
Cost: $5
Pageant Theatre
351 E. Sixth St.
www.pageantchico.com